Take a look at some recent work by our members! HOW class work from Tom Barnes and Lise Bauman, a beautiful urn by Mike Tanner, new work by John Manura, and a platter honoring Palmer Sharpless.Read More
After our demonstrator couldn't make it, Bill Grumbine stepped up and stopped by the Hicks Woodshop to show us how he uses the skew chisel to turn furniture legs.Read More
The recent passing of our wonderful and talented member, Joyce McCullough, inspired Joe Seltzer to bring in some of Joyce's work from his collection.Read More
Dennis Fuge gave a great demonstration on using metals and resins to enhance turnings, especially those with defects that would otherwise consign them to the firewood pile.Read More
We had a great Show and Tell session at our January meeting. See the presenters and their work in this post!Read More
Another great holiday celebration! This annual tradition of a Pollyanna Exchange and Raffle is always a big hit with our members. Here's Joyce McCullough winning the raffle-Read More
Photos by Al McCarty and Ward Stevens
Recent recipient of the Bob Stocksdale International Excellence in Wood Award, Jakob Weissflog paid a visit to Mike Kehs' workshop in Quakertown, PA on Tuesday November 8th. He demonstrated how he makes the box he is holding in the photograph, above. Following his father, Hans Weissflog, would be a tough act to match, but without a doubt, Jakob has equal mastery and a voice of his own, as evidenced by the display of his work shown below.
Jakob started with a cylinder of wood in a four jaw chuck, in this case Maple (although he later pulled out some the exotic Masur Birch legs that were made ahead of time), from which he would make the semi-cylindrical legs. Jakob, working from an engineered drawing he created, made a hollow cylinder with 4 mm walls. He constantly measured his work with a vernier caliper so that little was left to chance. Work began by truing up the cylinder's face and diameter. To hollow the cylinder, he used a 3/8 deep fluted bowl gouge with a finger nail grind to remove a lot of the stock using an upward sweep of a bowl gouge, sometimes called "back hollowing." (You may remember we saw his father demonstrating the same technique, and we posted a link to a video showing him doing it. Jakob was equally impressive.) He followed this operation with the use of a square skew to define straight inside walls to a bit beyond his desired cylinder height.
Once the cylinder was defined and met his dimensional specifications, Jakob created a circular mortise on it's inside circumference. To do this, he used an old file from which he'd fashioned a right angle scraper. Remember, it is easier to create the mortise first and fit the tenon after. In this case, you don't have to accurately measure on the inside of the cylinder, and it is easier to fit the tenon to the mortise once the legs have been band sawn from the cylinder. Jakob showed some premade legs that he used later in the demonstration. During the demonstration it was determined that the two legs combined make up a little more than half the diameter of the cylinder- so you only get one set of legs per cylinder with this particular design. In case you are wondering, Jakob can sand the cylindrical ring using a jam chuck- he was trying to spare us from watching too much sanding.
Next it was time to make the lid. He selected a beautiful piece of Bocote, which Jakob said was easier to turn compared to African Blackwood. In short, the steps to make the lid were: hollow the inside, make a step or right angle wall on the inside to accept rim of the base, sand, and then, using a jam chuck, shape the outside and sand this as well. Easy enough...if you are a master like Jakob!
The photos below show the rim on the base onto which the lid will fit; Jakob truing up the cylinder and defining the inside dimensions with a skew; hollowing out the interior, again using back hollowing; refining that spherical shape with a round nose scraper; creating the step with a skew; and sanding through a succession of grits (100, 240, 400, 1000 and pink and gray Mirka scuff pads). To keep the base of the lid flat, Jakob backed up his sand paper with a steel flat.
To shape the outside of the lid, he first made a jam chuck to accept the inside of the lid. Fitting was tricky: it must be tight enough to hold the lid, but not so tight that either you can't get if off or it splits. After a little "fine tuning," Jakob got it just right, mounted the lid stock and began shaping to the 50 mm diameter. He used a template for this but one got the idea that it really wasn't necessary. Once again, he made it look so easy: he defined the height and diameter of the hemisphere and then cut the curve with a gouge. He then refined the shape with a couple of passes of his skew, sanded through the grits, and viola, he had a lid.
A similar process was used to make the base, but with the added features of a rim, to capture the lid, and a ring tenon, to capture the legs. First, the stock from which the lid was cut was mounted in the chuck to begin work on the base. Jakob then refined the outside diameter and squared up the face. Using his calipers he then defined the inside diameter of the bowl, taking into account that he needed a rim for the lid. Then, using that super fast back hollowing technique, he created the bowl and then used his skew to clean up the inside of the rim. Jakob then focused on the outside of the rim, first removing material with the gouge, then truing up his dimensions with a skew. He took a little off the outside on the rim until he had the fit just right.
Now it was time to form the ring tenon for the legs. Jakob made a quick pencil mark, picked up his parting tool and defined the tenon. From there, he started removing stock from the outside of his box, readying it for its spherical shape.
A pencil mark identified the place to part the bottom of the box so that he could start work on the outside shape of the box. Once removed, Jakob double checked his measurements, and sure enough he had plenty of wood to make a box without a hole in the bottom. He turned once again to the jam chuck and shaped the outside of the box. He first cleaned up the tenon face with a skew, ensuring it was just the right size for the leg mortise, then he used his gouge and skew to make a perfect hemisphere. A little sanding and he had his box and lid.
A little CA glue was used to attach the legs, and all that was left was spray finish- but that was for another day. Fantastic demonstration and a great box.
It has been a while since we've had a Show and Tell, and this was worth the wait. In addition to our members usual creativity, we were treated to work from HOW experiences, classes at Bucks, a class by Cynthia Gibson, and some really great pieces from Joe Seltzer's collection.
Speaking of creativity, Andy DiPietro started us off with the latest in his explorations in wood sculpture.Read More
We had a great meeting in April- a robust Show and Tell and an auction to raise money for a new projector system. Take a look at excellent work of our members.Read More
This unique vessel is a great demonstration of Han Weissflog's ingenuity and craftsmanship.Read More
We had a fantastic workshop performance by Hans Weissflog. Here's the lidded box he is so famous for. So many techniques revealed!Read More
It was an amazing show! Miriam Carpenter gave us a detailed look into how she makes her fantastic feathers. When you first learn these feathers are made of wood and realize how delicate they are, you are very impressed. When you see what goes into their making, the inspiration, the planning, and the execution, you are blown away.Read More
Here is a recap of our Holiday meeting and Pollyanna Exchange. See who got what from whom and learn a little of what went on! Joe Seltzer brought in a few of his favorite weed pots and his interpretation of what a weed pot is.Read More
Famed turner, teacher, author and lathe maker, Ernie Conover came to our November meeting and demonstrated his Barley Twist Candlesticks. The demonstration was made 100% better thanks to Rick Baker and his articulated camera and video projector. What an amazing up-grade!Read More
Kimberly Winkle gave a fantastic demonstration on the making and painting of her signature Oculus Mirror at our October Meeting. Introduced by Professor mark Sfirri, she started the meeting with an overview of her furniture, sculpture and turning and gave us a wonderful sense of the depth and breadth of her work...Read More
If you missed the meeting, here are some pictures of the great work that was presented by our members.Read More
Bucks Woodturners participated in the Village Renaissance Faire on September 19 and 20th. The Faire provided an opportunity for members to display and sell their work, and interact with the community to show what wood turning is all about.Read More
This demonstration was an opportunity that came along at the last minute. Thanks to the hospitality of Matt Overton and Mike Kehs, Dick had a nice place to rest his head and a beautiful shop to demonstrate in.Read More
The May meeting was certainly the place to see how much fun a Hands-On-Workshop could be. In past years, HOWs would be held at member's workshops as an opportunity for newer members to get some one-on-one instruction in some aspect of turning. This year, the club extended the season, and included something new- the mini-HOW.Read More
Barry Gross stopped by our April Meeting and gave us a great demonstration on how to stabilize wood and then use those pieces to make an elegant bangle.Read More